2024
‘Pitchfork Music Festival Poster’ captures the energy and variety of the annual festival, which takes place across multiple venues in London.
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2024
‘The Work and Words of Women in STEM’ addresses the historical erasure of women’s contributions to science, technology, engineering, and mathematics, as a form of advocacy and a vehicle for cultural critique, acting as both a memorial and a manifesto.
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2025
‘Archive as Method’ proposes that book design can function as a critical design system through which authorship and access are actively rethought, recognising the tangent as a legitimate (and often necessary) part of how knowledge is encountered.
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2025
‘Form as Framework’ investigates how the codex format can be used to question the illusion of neutrality in archival and publishing systems. It asks: Who gets to design knowledge structures, and who is excluded from the process?
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